|Long title||An Act to make further provision in relation to criminal justice (including employment in the prison service); to amend or extend the criminal law and powers for preventing crime and enforcing that law; to amend the Video Recordings Act 1984; and for purposes connected with those purposes.|
|Introduced by||Michael Howard|
|Territorial extent||England & Wales; Scotland; Northern Ireland|
|Royal assent||3 November 1994|
|Amended by||Crime and Disorder Act 1998|
|Text of statute as originally enacted|
|Text of the Criminal Justice and Public Order Act 1994 as in force today (including any amendments) within the United Kingdom, from legislation.gov.uk|
The Criminal Justice and Public Order Act 1994 (c.33) is an Act of the Parliament of the United Kingdom. It introduced a number of changes to the existing law, most notably in the restriction and reduction of existing rights and in greater penalties for certain "anti-social" behaviours. A main motivation was to restrict outdoor rave parties, in particular in reaction to the 1992 Castlemorton Common Festival. The Bill was introduced by Michael Howard, home secretary of Prime Minister John Major's Conservative government, and attracted widespread opposition.
Changes which received great public attention included:
The whole of Part V which covered collective trespass and nuisance on land and included sections against raves (63-67, including the "repetitive beats" definition) and further sections against disruptive trespass, squatters, and unauthorised campers - most significantly the criminalisation of previously civil offences. This affected many forms of protest including hunt sabotage and anti-road protests.
Part VII handled "Obscenity and Pornography", banning simulated child pornography, harshening provisions dealing with the censorship and age restriction of videos, and also increasing the penalty on obscene phone calls.
Part XI dealt with sexual offences. The definition of rape was extended to include anal rape.
Further, the age at which homosexual acts were lawful was reduced from 21 years to 18. During the passage of the Bill, MPs considered an amendment to reduce this age to 16 (thereby equating it with the age of consent for heterosexual sex) but the motion was rejected by 27 votes. Analysis of the division list revealed that 42 Conservative MPs had supported equalisation, and the motion would have carried but for the opposing votes of 38 Labour MPs.
Part XII was a miscellany, and included the notice that the "Offence of racially inflammatory publication etc. (was henceforth) to be arrestable", although this was later to be modified by the Serious Organised Crime and Police Act 2005. Part XII also criminalised the use of cells from embryos and foetuses.
Provisions in the Act that purported to allow for the dismissal of a seafarer from a merchant navy vessel on the ground of homosexual activity, which had been superseded by the Equality Act 2010, were repealed in February 2017.
When the legislation was still under debate, the Advance Party coordinated a campaign of resistance against the bill. The group was composed of an alliance of sound systems and civil liberties groups. Two demonstrations were organised in London on 24 July and 9 October 1994. The latter took the form of a march which ended up as a riot at Hyde Park.
The law's attempt to define music in terms of "repetitive beats" has been described as "bizarre" by legal experts.Jon Savage, author of books on youth culture, said of the legislation in Bill form, "It's about politicians making laws on the basis of judging people's lifestyles, and that's no way to make laws." The Act was described as a piece of legislation which was "explicitly aimed at suppressing the activities of certain strands of alternative culture", the main targets being squatting, direct action, football fan culture, hunt sabotage and the free party. The sections which specifically refer to parties or raves are seen as badly defined  and drafted in an atmosphere of "clear moral panic" following the Castlemorton Common Festival.
|"||Warning. 'Lost' and 'Djarum' contain repetitive beats. We advise you not to play these tracks if the Criminal Justice Bill becomes law. 'Flutter' has been programmed in such a way that no bars contain identical beats and can therefore be played under the proposed new law. However, we advise DJs to have a lawyer and a musicologist present at all times to confirm the non repetitive nature of the music in the event of police harassment.||"|
"Their Law", a song by electronic dance band The Prodigy and Pop Will Eat Itself, was written as a direct response to the bill. A quotation in the booklet of the Prodigy's 1994 album Music for the Jilted Generation read "How can the government stop young people having a good time? Fight this bollocks." The album featured a drawing, commissioned by the band from Les Edwards, that depicts a young male rebel figure protecting a rave from an impending attack of riot police.
In 1993, the band Dreadzone released a single called "Fight the Power" in opposition to the proposed Criminal Justice Bill. The Dreadzone mix of this song has samples from Noam Chomsky that talk about taking action and "taking control of your lives", advocating political resistance to the proposed bill. The cover artwork for the single has a picture of a young woman with a baby stroller, which has a political poster affixed to it with the words "Kill the Bill".
The Network Records / Six6 Records music compilation album NRB:58 No Repetitive Beats (1994) was released in opposition to the proposed Bill. The album's liner notes said "For every copy of "No Repetitive Beats" sold Network will pay a royalty to D.I.Y. / All Systems No! (an advance payment of £3,000 was made before the release of the album). The monies will be used by D.I.Y. / All Systems No! towards the cost of a sound system which will be on hand to replace any sound equipment seized by the police using draconian powers granted to them by the Criminal Justice Bill to stop music "wholly or predominantly characterised by the emission of a succession of repetitive beats". The Bill is unjust and tramples across common sense and civil rights. If you want to help throw the CJB out contact the human rights organisation Liberty (071 403 3888). Fight for your right to party."
The B-side to Zion Train's 1995 "Dance of Life" single included a track entitled "Resist the Criminal Justice Act".
UK garage act The Streets also criticise the legislation in the track "Weak Become Heroes" from their 2002 debut album Original Pirate Material, as indicated by the lyric : "and to the government I stick my middle finger up with regards to the Criminal Justice Bill".
^ The Act specifically defines "music" to include "sounds wholly or predominantly characterised by the emission of a succession of repetitive beats."
Manage research, learning and skills at defaultLogic. Create an account using LinkedIn or facebook to manage and organize your Digital Marketing and Technology knowledge. defaultLogic works like a shopping cart for information -- helping you to save, discuss and share.Visit defaultLogic's partner sites below: