D Minor
D minor
F-major d-minor.svg
Relative key F major
Parallel key D major
Dominant key A minor
Subdominant G minor
Component pitches
D, E, F, G, A, B, C

D minor is a minor scale based on D, consisting of the pitches D, E, F, G, A, B, and C. Its key signature has one flat. Its relative major is F major and its parallel major is D major.

The D natural minor scale is:

\relative c' { 
  \clef treble \key d \minor \time 7/4 \hide Staff.TimeSignature d4^\markup "D natural minor scale" e f g a bes c d c bes a g f e d2 \bar "||"
  \clef bass \key d \minor
}

Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The D harmonic minor and melodic minor scales are:

\relative c' { 
  \clef treble \key d \minor \time 7/4 \hide Staff.TimeSignature d4^\markup "D harmonic minor scale" e f g a bes cis d cis bes a g f e d2
}
\relative c' { 
  \clef treble \key d \minor \time 7/4 \hide Staff.TimeSignature d4^\markup "D melodic minor scale (ascending and descending)" e f g a b cis d c! bes! a g f e d2
}

Music in D minor

Of Domenico Scarlatti's 555 keyboard sonatas, 151 are in minor keys, and with 32 sonatas, D minor is the most often chosen minor key.

J.S. Bach's entire Art of Fugue is in D minor.

Michael Haydn wrote only one symphony in a minor key, in D minor, Perger 20, MH 393.

According to Alfred Einstein, the history of tuning has led D minor to be associated with counterpoint and chromaticism (for example, the chromatic fourth), and cites Bach's Chromatic Fantasia and Fugue in D minor.[1] Mozart's Requiem is also written primarily in D minor, as is the famous Queen of the Night Aria, "Der Hölle Rache". Of the two piano concertos that Mozart wrote in a minor key, one of them is in D minor: Piano Concerto No. 20, K. 466.

The only chamber music compositions in D minor by Ludwig van Beethoven were his stormy Piano Sonata No. 17 and the haunting Largo of the Ghost Trio Op. 70/1. Franz Schubert's Death and the Maiden Quartet is also in D minor. A fair deal of Gabriel Fauré's chamber music is written in the key of D minor, including the Piano Trio Op. 120, the First Piano Quintet Op. 89, and the First Cello Sonata Op. 109. Arnold Schoenberg's Verklärte Nacht is in D minor, as is his String Quartet No. 1.

Since D minor is the key of Beethoven's Symphony No. 9, Bruckner felt apprehensive about writing his own Ninth Symphony in the same key.[2] As well as Bruckner's First Mass, some other post-Beethoven symphonies are in D minor, including the only Symphony written by César Franck and Symphony No. 3 by Gustav Mahler.

Jean Sibelius often reserved the key of D minor for compositions he saw as being of a noble character; the Violin Concerto, the Sixth Symphony, and the string quartet Voces intimae are each in the key.

The tonality of D minor held special significance for Helene and Alban Berg.[3]

Works in the classical music era and later beginning in minor typically end in major, or at least on a major chord (as picardy third), but there are a few notable examples of works in D minor ending in much sharper keys. Two symphonies that begin in D minor and end in E major are Havergal Brian's Gothic Symphony and Nielsen's Symphony No. 4 (The Inextinguishable). Bruckner's Ninth Symphony, which is often performed without the finale, is another example of a symphony beginning in D minor and ending in E major. Franz Liszt's Dante Symphony opens in D minor and ends in B major.

Similar to a D-minor symphony ending in D major, like in Beethoven's Symphony No. 9, a D-major symphony can have for its allegro first movement a slow introduction in D minor. "Tonic minor Adagio introductions, especially in the key of D minor, were very popular with English composers of the year 1794," and Joseph Haydn copied this procedure for the D major symphonies he wrote in London.[4]

Film composer Hans Zimmer is one of the most prominent users of the key of D minor in modern times. Many of his well-known scores were written in the key, notable examples including Gladiator, The Dark Knight, Pirates of the Caribbean, and The Da Vinci Code. His frequent use of the key has been noticed by reviewers such as Christian Clemmensen of Filmtracks, calling the trend "ridiculous stubbornness".[5]

Notable compositions

Further reading

  • Sherman, Charles H. Johann Michael Haydn (1737-1806), a chronological thematic catalogue of his works New York: Pendragon Press, 1993.

See also

Notes

  1. ^ Alfred Einstein, Mozart, His Character, His Work, Chapter 10, "Mozart's Choice Of Keys", New York: Oxford University Press (1945)
  2. ^ Hans-Hubert Schönzeler, Bruckner London: Calder & Boyars Ltd (1978): 106 - 107. According to Göllerich, he [Bruckner] made the remark: "It really annoys me that the theme of my new symphony is in D minor, because everybody will say now: 'Of course, Bruckner's Ninth must be in the same key as Beethoven's!'"
  3. ^ Pople, Anthony (1997). "Early Works: Tonality and Beyond", The Cambridge Companion to Berg, p. 81. Pople, Anthony, ed. ISBN 0-521-56489-1.
  4. ^ H. C. Robbins Landon, Supplement to The Symphonies of Joseph Haydn London: Barrie & Rockliff (1961): 47
  5. ^ Clemmensen, Christian. "The Dark Knight Rises Review". Filmtracks. Retrieved 2012. 

External links

Media related to D minor at Wikimedia Commons


  This article uses material from the Wikipedia page available here. It is released under the Creative Commons Attribution-Share-Alike License 3.0.

D_minor
 



 

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